So Get Up on It finds Sweat in a stage of transition, leaving the formula that began to grow stale on Keep It Comin' and beginning to feature female backing vocals at center stage, somewhat similar to what Barry White and Luther Vandross had done before him. Sweat began to utilize female background vocals, courtesy of Kut Klose, to full effect on this album, especially on the hit title track (one of the album's shining moments), a trend that he perfected on his huge 1996 self-titled comeback album.
In fact, the set is classic Keith Sweat, filled to the brim with the pleading ballads that made this Harlem crooner so popular. However, Get Up on It is not a bad album by any means.
After scoring massive success with his first two albums, Make It Last Forever and I'll Give All My Love to You, Keith Sweat's third album, Keep It Comin', signaled something of a creative and commercial slump for the new jack pioneer, which continued through 1994's Get Up on It.
0 kommentar(er)
